Chris Forsyth - Evolution Here We Come

Chris Forsyth - Evolution Here We ComeTo wit, if you think you know already what you'll be getting into here heady, Television esque multi guitar jams played with motorik precision and a fiercely American intensity: you know, a Forsyth record well, go ahead and think that. I won't stop you. Only maybe the pulsing bass, curiously lurching drumbeat, and lunar synth squiggling of Sun Ra Arkestra maestro Marshall Allen that opens "Experimental & Professional" will set you back on your heels.

which also marks Mayer's return to the label since his debut release of a Strange Arrangement in 2009

"Bad Spell's energy level kicks the needle into the red

Creating what they describe as "endtime ballads" to signify both the slightly macabre nature of their songs and the unusual blend of styles as the final evolution in music

And the textures are frequently surprising due to the collage of lo-fi and hi-fi sounds that tastefully decorate the album without ever clouding the heart-center of the song

with lunchboxes

with intermediate stops called "Capsule Communicator" (the individual in the mission control center who maintained communication with the astronauts in space)

" which stands out as a definitive late-career highlight that brought Cash renewed acclaim

A was it's most prolific pioneer

RIO GRANDE MUD is the second album by American blues-rock band ZZ Top

and Mico Frost (Brian Tarney) on synths and electric bass

restored & mastered for vinyl by Patrick W

Live Underslunky features the band's famed skill for jamming as an incredibly tight-knit unit